Aknvas
“Swans before innocence.” — Christian Juul Nielsen
“Swans before innocence.” — Christian Juul Nielsen
“I spotted Howard Gardiner Cushing’s paintings in a November 1972 issue of Vogue and fell down the rabbit hole, all the way to ‘The Ledges,’ his Newport house, and his whole world of fantasy and wonderment.” — Anna Sui
“45 years of Herrera.” — Wes Gordon
“This collection is inspired by the romance and fantasy of 18th-century France, imagined through the lens of a forgotten French fairy-tale story, The Queen of the Flowery Isles.” — Christian Siriano
“The inspiration is Adam and Eve — the origin of body coverage and clothing, exploring femininity and masculinity at odds, the forbidden fruit, and dangerous beauty.” — Grace Ling
“This season explores the duality of the LQS woman: delicate, instinctive; sensual, yet dangerous; drawn to beauty without ever losing her bite.” — LaQuan Smith
“Femme, cool, a little undone and completely herself.” — Rebecca Hessel Cohen
“This collection exists between codes — fashion and street, luxury and survival, visibility and erasure.” — Raul Lopez
“Little House on the Prairie.” — Alexandra O’Neill
“UnBound.” — Laura Kim and Fernando Garcia
“She writes the ending.” — Sergio Hudson
“It’s New York at its best: icons meet innovators, old-world glamour meets modern energy, and classic style gets a fresh point of view. It could only happen at The Plaza.” — Tommy Hilfiger
“The 7FAM girl in spring…This time it’s daytime. It’s sunny and bright. There’s that Kate Moss nonchalance: a little undone, a little glamorous, always cool.” — Nicola Brognano
“Taking inspiration from the old and making it new. Finding beauty in the distressed and imperfect.” — Aisling Camps
“For fall, texture takes center stage through tactile fabrications and relaxed silhouettes that balance luxury with effortless ease.” — Karin Gustafsson
“A bloom armored by the world that made it.” — Jasmin Larian Hekmat
“The drack of dawn.” — Emily Dawn Long
“This season centers on pure craftsmanship, guided by our collaborator Maricarmen Jiménez and a meaningful posthumous partnership with her father, Angélico Jiménez Hernández.” — Stephanie Suberville
“Heirloom craft and female ingenuity.” — Emily Smith
“Spring ’27 began with Carl Theodor Dreyer’s ‘La Passion de Jeanne d’Arc,’ 1928, and its radical austerity — the face stripped of ornament; the body caught between sanctity and violence, submission and defiance.” — Stephen Biga
“Modernism.” — Michael Kors
“I took some time earlier this year to study gemstone carving in England, and this collection was inspired by the organic and irregular shapes that unfolded in stones as I learned the techniques.” — Presley Oldham
“Reality vs. perception.” — Tory Burch
“This photo of my father and his family from 1976 inspired the collection, serving as my personal entry-point into American identity, family, and how much has and hasn’t changed over 50 years.” — Keith Herron
“Living memories.” — Amir Taghi
“Monaco Bros.” — Michael Bastian
“In media res.” — Patricio Campillo
“Spring ’27 descends from fall’s mountain’s summit, where glacial water trickles into the creek.” — Jane Wade
“’Out of the Chaos and Into the Garden’ is an invitation to get lost in the flowers, forget the rules, and come out a little more human.”— Johnson Hartig
“From dramatic fjords to colorful coastal villages, spring 2027 reimagines the beauty of Norway.” — Pamella Roland
“Brasil Esplêndido. Where Brazilian modernism, nature, art and humanity intersect.” — Patricia Bonaldi
“A small, unmistakably Scottish still life, caught in the same red light that gives Rùadh its name.” — Jac Cameron
“A summer in New England.” — Tanner Richie and Fletcher Kasell
“We flew to Nashville to get away from our routine, design with new perspective, and immerse ourselves in a place that breeds comfortable outsiders. Spring ’27 marks our 30th anniversary, and the collection is grounded in curiosity and the knowledge that we make our own zeitgeist.” — Amy Smilovic
“Rooted in the rhythm of New York City, architectural lines meet fluid movement and natural forms.” — Robert Rodriguez
“Aire.” — Dwarmis Concepción
“For spring, I’m obsessed with the vivid, brilliant colors of exotic flowers reimagined through a techno filter.” — Esé Azénabor
Inspired by Renaissance paintings, European gardens, and the vibrant beauty of my East African heritage, this collection explores the harmony between art and nature.” — Nardos Iman
“50 years of Natori, reimagined.” — Josie Natori
“Love all.” — Adam Lippes